His self-taught approach allowed him to consolidate visual and experimental compositions without following a precise method of operation, but attesting his character through a language close to the world of street art.
Consequently, it paved the way moving him into painting using a wall rather than a canvas as a support, always conceiving works of art as a purely emotional vision.
His work began to be characterized by a multiform style in which anthropomorphic characters come to life, animals that get confused with man, where nature makes poetry.
The use of materials such as the spray can, a typical hallmark of the writers of the world, the fast stroke and gesture in the composition, mark Tony Gallo among the new artists who look upon a path that brings the distinctive stamp of an emotional art, in which the characteristic of poetry, magic and feeling blend with the colours and the harmony of a universe created by the author’s imagination.
The new means of global communication, such as social networks have enabled a rapid spread of the collective unconscious of the artist’s media recognition, thus creating a visibility that soon gained space and approval by, initially, the local Paduan community, and then the street environment and the art world, where the first affirmations arrived.